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<channel>
	<title>Carwyn Evans</title>
	<link>https://carwynevans.com</link>
	<description>Carwyn Evans</description>
	<pubDate>Tue, 09 Aug 2022 18:32:41 +0000</pubDate>
	<generator>https://carwynevans.com</generator>
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	<item>
		<title>About</title>
				
		<link>https://carwynevans.com/About</link>

		<pubDate>Tue, 09 Aug 2022 18:32:41 +0000</pubDate>

		<dc:creator>Carwyn Evans</dc:creator>

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		<description>Bas Jan AderMixed Media1970 — 1971


Thoughts unsaid, then forgotten
I’m Too Sad to Tell You is a mixed media artwork by conceptual artist Bas Jan Ader.
&#60;img width="592" height="715" width_o="592" height_o="715" data-src="https://freight.cargo.site/t/original/i/5a0cf8d8066dd6d8de68fba0dc9db4ae05685d428d53444ae3ff8ab958495afe/toosad3.jpg" data-mid="150010260" border="0"  src="https://freight.cargo.site/w/592/i/5a0cf8d8066dd6d8de68fba0dc9db4ae05685d428d53444ae3ff8ab958495afe/toosad3.jpg" /&#62;The work includes a three-minute black-and-white silent film, still photographs and a post card all related to him crying for an unknown reason. The photographs include both a short hair version and a long hair version. The post cards were mailed to his friends with the inscription “I'm too sad to tell you.”
InfluenceThe work has influenced a large number of artists, with many composing interpretations and homages to the work. These include: &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Alexander Brandt on his goal of imitating Ader’s pose in his own self portrait: My appropriation of this visual has a strategic aim. I myself do not fit the cliché of a tragic artist.... It is the reactions it will produce with the audience that interest me.David Horvitz on the influence for his book “Sad Depressed People”:
If you look at my book, all the images are with people’s hands to their faces...this was actually a direct reference to Ader’s image.

Vik Muniz created “Self Portrait (I Am Too Sad to Tell You, after Bas Jan Ader)” with his head in his hand per Ader. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Hugh O’Donnell created a performance piece performed with Ader’s movie. 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Lisa Rovner said Ader’s movie “was the most beautiful thing she’s ever seen.”


 The work’s original form was a silent black and white movie shot outdoors in 1970 apparently in front of Ader’s house. The movie was shown in Claremont College, but has since been lost. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; A still from the movie, however, was extracted and made into a post card. It shows Ader with his head in his hand crying. The back of the post card had the written inscription “I'm too sad to tell you.” It was dated September 13, 1970. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The card was mailed to a number of Ader’s friends. The image has also been reproduced in a photographic version with the inscription written in the lower right hand corner. The post card and photograph have become iconic of the work and a symbol that many artists have emulated.
&#60;img width="1752" height="1272" width_o="1752" height_o="1272" data-src="https://freight.cargo.site/t/original/i/8f03a7e4c9bfa11f5e7723c52f2b87dead416aa08fb6102b3eec7da4c20e9d3c/15_BasJanAder.jpg" data-mid="150010261" border="0"  src="https://freight.cargo.site/w/1000/i/8f03a7e4c9bfa11f5e7723c52f2b87dead416aa08fb6102b3eec7da4c20e9d3c/15_BasJanAder.jpg" /&#62;A second version of the film was made in Amsterdam in 1971. This was more of a performance with Ader appearing to be calm before the shooting and rubbing his eyes during the filming to produce tears and build emotional intensity. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Ten minutes of film was shot with the final version edited to about three and a half minutes. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; The edited version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented. 
&#60;img width="467" height="640" width_o="467" height_o="640" data-src="https://freight.cargo.site/t/original/i/a50e7e229d0e1291f00799d912f8916d57e021ca480e3c558459b396d6d22e89/large_467-2222.jpg" data-mid="150010265" border="0"  src="https://freight.cargo.site/w/467/i/a50e7e229d0e1291f00799d912f8916d57e021ca480e3c558459b396d6d22e89/large_467-2222.jpg" /&#62;
Critics have said that it is hard not to be affected by the film, with its offering of “raw passion to anyone willing to watch.”


Critical InterpretationThe work has inspired many critical interpretations and analyses.
&#60;img width="1200" height="989" width_o="1200" height_o="989" data-src="https://freight.cargo.site/t/original/i/d8f8d35c82b229191a311153726766e457eeaaa50ddda3948cd4175a2b552683/3277-mk_large.jpg" data-mid="150010262" border="0"  src="https://freight.cargo.site/w/1000/i/d8f8d35c82b229191a311153726766e457eeaaa50ddda3948cd4175a2b552683/3277-mk_large.jpg" /&#62;There seems to be an overall tension between the sincerity of the artist’s captured emotions and performance aspects of the works.
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Artists James Roberts and Collier Schorr, for example, feel the works are at once intensely personal and yet very arbitrary. There was a true reason for Ader’s sadness, but that is not shared with us. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Bruce Hainley, contributing editor to Artforum, thinks the reasons for his sadness are beside the point. In his view, Ader walks a fine line between sincerity (the sadness is real) and melodrama (the work is staged multiple times). 
&#60;img width="550" height="470" width_o="550" height_o="470" data-src="https://freight.cargo.site/t/original/i/76d7076289a3412d7cdd60ebf37dafdbed2140538cd99ef56c08b80526fb74a6/AderTooSad03.png" data-mid="150010263" border="0"  src="https://freight.cargo.site/w/550/i/76d7076289a3412d7cdd60ebf37dafdbed2140538cd99ef56c08b80526fb74a6/AderTooSad03.png" /&#62;Jörg Heiser, coeditor of Frieze magazine, views the work as an ironic statement of the artist taking on all of the embarrassment of the expressed emotion while leaving it open as to whether or not the viewer takes on the embarrassment as well.Women reviewers have been more critical. 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; Jennifer Doyle in her book “Hold it Against Me: Difficulty and Emotion in Contemporary Art” feels the work may be seen as real due to the tradition of the “melancholy white male artist.”




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		<title>Hafan / Home</title>
				
		<link>https://carwynevans.com/Hafan-Home</link>

		<pubDate>Mon, 13 Apr 2020 15:28:27 +0000</pubDate>

		<dc:creator>Carwyn Evans</dc:creator>

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		<description>
	CARWYN EVANS
	celf &#124; art
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		<title>Bywgraffiad / Biography</title>
				
		<link>https://carwynevans.com/Bywgraffiad-Biography</link>

		<pubDate>Fri, 17 Aug 2012 12:40:10 +0000</pubDate>

		<dc:creator>Carwyn Evans</dc:creator>

		<guid isPermaLink="true">https://carwynevans.com/Bywgraffiad-Biography</guid>

		<description>BYWGRAFFIAD 
Mae CARWYN EVANS yn gweithio mewn cyfrwng cymysg, ffotograffiaeth a gosodweithiau er mwyn archwilio materion yn ymwneud gyda’i synnwyr o le.
 
Roedd ei sioe unigol gyntaf ‘Y Bore Hwnnw, Gwyliodd y Wawr yn Torri’ yn Oriel Davies, Y Drenewydd, yn cynnwys gwaith a adlewyrchai brofiadau personol Evans tra hefyd yn archwilio newidiadau cymdeithasol a gwleidyddol ehangach yng Nghefn Gwlad Cymru.
 
Mae llawer o waith Evans wedi canolbwyntio ar 'fudo' o'i fagwraeth yng Ngheredigion wledig i brifddinas Cymru Caerdydd, er mwyn dilyn ei yrfa artistig. Adlewyrchu ar effaith ei ymadawiad, y gwacter a adawyd ar ôl (ffisegol a diwylliannol), a chanlyniad newid yw’r themau o dan sylw yn ei waith. Mae Evans yn defnyddio arddull cerfluniol sydd wedi ei symleiddio, gan weithio gyda gwrthrychau sy’n bodoli’n barod a rhai a gynhyrchwyd yn benodol (ac sy’n aml wedi eu gwneud yn grefftus iawn).
 
Fe raddiodd Carwyn o Athrofa Prifysgol Cymru, Caerdydd yn 2001 ac o'r Coleg Celf Brenhinol gyda MA mewn Cerfluniaeth yn 2011. Yn 2000 ennillodd Ysgoloriaeth Artist Ifanc yn yr Eisteddfod Genedlaethol, gan ennill Gwobr Ifor Davies yn yr Eisteddfod yn 2003 a 2007 am ddarnau o waith a oedd yn ‘cyfleu ysbryd y frwydr dros iaith, diwylliant a gwleidyddiaeth Cymru’. Yn 2009, fe dderbyniodd wobr Gelfyddyd Gain yr Eisteddfod Genedlaethol gan ennill y Fedal Aur mewn Celfyddyd Gain yn 2012. Cymerodd ran yn sioe Locws 3 yn 2007, yn ogystal ag arddangos mewn sioeau ar hyd a lled Cymru, yn Nenmarc, Awstria a Mecsico.
 
Astudiodd Evans (g. 1979) yn Ysgol Gelf Caerdydd (1998-2001) a'r Coleg Celf Brenhinol (2009-2011) ac mae'n arddangos yn rheolaidd, gan amlaf yng Nghymru.

‘Mae cyfres gweithiau Carwyn Evans yn nodi symudiad sylweddol yn ymarfer diweddar yr artist tra’n cydio’n dynn wrth ei faterion craidd. Mae tirwedd ddiwylliannol, wledig ac amaethyddol yr artist a hanes ei deulu o’i fewn yn allweddol. Gyda dealltwriaeth o ystyr cysyniadol a barddonol cynhenid defnyddiau mae Carwyn Evans yn gallu defnyddio coed, efydd, cynffonau wˆyn a cerameg gyda thuedd minimalaidd crefftus. Nid yw byth yn colli cyffyrddiad yr artist. Wrth sefyll ymhlith y gweithiau dewch yn ymwybodol o broses a sgil ffabrigeiddio, pwysigrwydd barddonol nodau syml a haniaethol peiriannau a’r bywyd amaethyddol. Ond fel gyda phob celf wych, crefft Carwyn Evans yw creu gwaith sy’n gallu codi’n uwch nag un set o ystyron, gan ei agor allan i’n cwmpasu ni i gyd.’ (Sean Edwards, Artist).
‘Mae anghytgord, neu bethau sydd ddim yn ffitio’n union, gyda’i gilydd nac mewn cyd-destun, yn tanategu agwedd ffres Carwyn Evans tuag at ddeunydd, ffurf ac ystyr yn ei ddarnau cerflun / gwaith gosod. Tra’n ymddangos yn hunanfeddiannol a phenderfynol, ar yr olwg gyntaf, mae’r corff hwn o waith yn eich herio i “deimlo yn hytrach na dehongli”, fel y dywed yr artist ei hun. Mae’n gweithio gyda deunyddiau a gyda phrosesau sydd eisoes yn gyforiog ac sy’n cludo ystyr a gofynna’r artist i’r gwyliwr ddadlennu ei ddealltwriaeth ei hun trwy ei brofiad. Canlyniad profiad yw ei waith nid yn rhywbeth i’w ddisgrifio.’ (Declan McGonagle, Curadur a Chyfarwyddwr Coleg Cenedlaethol Celf a Dylunio, Dylun).
BIOGRAPHY CARWYN EVANS works in mixed media, photography and installation to explore issues related to his individual sense of place.
His first solo exhibition 'That Morning He Watched The Dawn' recently took place at Oriel Davies Gallery, Newtown which contained work that reflects Evans’ personal experiences while exploring broader social and political shifts in rural Wales. 
Much of his practice has focused on his ‘migration’ from an upbringing in rural Ceredigion to the Welsh capital Cardiff in order to pursue an artistic career. Reflecting on the impact of his leaving, the subsequent void left behind (both physical and cultural), and the consequence of change are all themes explored in his work. At the same time, a recent photographic series gives voice to individuals who have recently migrated and relocated to the artist’s homeland, to allow room for an alternative perspective. Evans represents these concerns using a pared down sculptural aesthetic, working with both existing and specifically produced (and often highly crafted) objects and images.

'Evans is deeply connected to a sense of Welsh speaking, Welsh Wales, but is one of an increasing number of young people from such backgrounds now ensconced in the once non-Welsh Wales city of Cardiff. This is the cultural change he refers to, where a haemorrhaging of the young is encouraged by a lack of creative enterprise and high house prices, an increasing Welsh Wales presence in Cardiff and a diminishing of Welsh spoken in the heartlands. Describing how it feels to be one of these internal émigrés has become Carwyn's dominant theme in recent work. In a characteristically economic piece from his degree show in 2001 there is a reflection on cultural demise; a book is printed with a photocopy of a family photograph, which gradually grows fainter as it is repeated from page to page, until it disappears completely.' (Iwan Bala, Artist).Carwyn graduated from University of Wales Institute, Cardiff in 2001 and with an MA in Sculpture from the Royal College of Art in 2011. In 2000 he was awarded the Young Artist Scholarship at the National Eisteddfod, and was the recipient of the Ivor Davies Award at the Eisteddfod in 2003 and 2007 for work which was seen to convey 'the spirit of activism in the struggle for language, culture and politics in Wales'. He was awarded a Fine Art Award at the 2009 Eisteddfod, winning the coveted Gold Medal for Fine Art in 2011. Carwyn took part in Locws 3 in 2007 and has exhibited in group shows across Wales as well as in Denmark, Austria and Mexico.
Evans (b. 1979) studied Sculpture at Cardiff School of Art (1998-2001) and at the Royal College of Art (2009-2011) and has exhibited widely, principally in Wales. He now lives and works in Cardiff.

‘Carwyn Evans’ latest body of work marks a significant shift in the artist’s recent practice whilst holding steadfastly to its core concerns. The artist’s cultural, rural and agricultural landscape and his own family’s history within it are key. With an understanding of the inherent poetical and conceptual meaning of material, Carwyn Evans is able to employ wood, bronze, lambs’ tails and ceramics with a deft minimalist tendency, without ever loosing that sense of the artists’ touch. Standing among the works you become aware of the process and skill of fabrication, the poetical importance of the abstracted and simplified markers of the agricultural machinery and life. But like all great art, Carwyn Evans’ skill is in making work that can transcend one set of meanings, opening it out to encompass us all.’ (Sean Edwards, Artist). 
‘Discord, or things not quite fitting, together or in context, underpins the freshness of Carwyn Evans’ approach to material, form and meaning in his sculpture / installation pieces. While appearing cool and resolved, at first reading, this body of work challenges you “to feel rather than read”, as the artist himself has put it. He works with material and with processes which are already loaded and carriers of meaning which he is asking the viewer to unearth in their own understanding of experience. His works are made as a result of experience not to describe it.’ (Declan McGonagle, Curadur a Chyfarwyddwr Coleg Cenedlaethol Celf a Dylunio, Dulyn).</description>
		
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		<pubDate>Mon, 13 Apr 2020 15:28:27 +0000</pubDate>

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		<description>CARWYN EVANS. 2000-2022</description>
		
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		<pubDate>Mon, 13 Apr 2020 15:28:29 +0000</pubDate>

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		<description>Hafan / Home



Bywgraffiad / 
Biography
Arddangosfeydd / 
Exhibitions
Erthyglau / 
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Cysylltu / 
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		<title>Arddangosfeydd / Exhibitions</title>
				
		<link>https://carwynevans.com/Arddangosfeydd-Exhibitions</link>

		<pubDate>Fri, 17 Aug 2012 13:56:47 +0000</pubDate>

		<dc:creator>Carwyn Evans</dc:creator>

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		<description>
	Arddangosfeydd Sengl:
2014'udo', g39, Caerdydd (Arddangosfa lansio Gwyl Caerdydd Gyfoes)
2013'i', gallery/ten, Caerdydd'o', Canolfan Mileniwn Cymru, Caerdydd
2012'Ca' Shell', Mostyn, Llandundo'Cysgod', Mostyn, Llandudno (fel rhan o brosiect Adain Avion) 
2011'Altro', Oriel Myrddin, Caerfyrddin
2009'Y Bore Hwnnw, Gwyliodd y Wawr yn Torri', Oriel Davies, Y Drenewydd

Arddangosfeydd Grwp Dethol:

‘Unlliw’ i’w weld yn Oriel ‘Tirlun Cymru’, Amgueddfa Genedlaethol Cymru
2019 ‘Gaeaf’, gallery/ten, Caerdydd
‘Defaid’, Amgueddfa Ceredigion, Aberyswyth
2013'Easy Does It', Supercollider, Blackpool'Easy Does It', Aid &#38;amp; Abet, Caergrawnt'Print International', Oriel Wrecsam, Wrecsam'Tir Sir Gâr', Theatr Genedlaethol Cymru, Caerfyrddin'Easy Does It', David Dale Gallery &#38;amp; Studios, Glasgow
2012'Y Nadolig mewn Llun a Cherdd', Y Morlan, Aberystwyth'Welsh Landscapes: From Turner to Long', The Lightbox, Woking, Surrey. 'Made In Roath', Milkwood Gallery, Caerdydd / Cardiff'Y Lle Celf', Eisteddfod Genedlaethol Cymru, Bro Morgannwg (Enillydd y Medal Aur mewn Celfyddyd Gain) ProjectTEN, Arddangosfeydd ledled Caerdydd
2011'Show 2011', Sioe Radd MA Coleg Celf Brenhinol, LlundainProjectTEN, Arddangosfeydd ledled Caerdydd
2010'Lunch is for Wimps', Gwyl Dylunio Clerkenwell, Llundain (Arddangosfa myfyrwyr RCA)'Gennym Ni Mae’r Drychau, Gennym Ni Mae’r Cynlluniau', Mostyn, Llandudno'Interim', Orielau Henry Moore, Coleg Celf Frenhinol, Llundain (Arddangosfa myfyrwyr RCA)'Contemporary Art from Wales', Fraser Gallery, Bethesda, Maryland, DU'Outsider', Oriel Myrddin, Caerfyrddin'A Book About Death', MOMA Cymru Wales, Y Tabernacl, Machynlleth'Embrace', Coleg Celf Caeredin (Arddangosfa myfyrwyr RCA)
2009'RCA Secret', Coleg Celf Brenhinol, Llundain'Y Lle Celf', Eisteddfod Genedlaethol Cymru, Y Bala'It Wouldn’t Be Worth It Without The Struggle', Oriel Gerddi Howard, Caerdydd'Cymru yng Nghwyl Bywyd Gwerin y Smithsonian, Washington DC'Wythoni', Llangrannog, Ceredigion'Rhôd', Drefelin, Carmarthenshire
2008'Gair o Gelf', Oriel Canfas, Caerdydd'If You Build It, They Will Come', g39, Caerdydd'Gwisgo Salem eto', Capel Salem, Llanbedr, wrth Harlech (comisiwn wrth S4C i ymateb i ganmlwyddiant Salem gan Curnow Vosper)
2007'Gair o Gelf', Glanfa, Canolfan Mileniwm Cymru'The Suitcase Project': Copenhagen a Caerdydd'Y Lle Celf', Eisteddfod Genedlaethol Cymru, Y Wyddgrug'Spoilio', Llywernog (Gosodwaith safle-penodol)'Locws 3', Abertawe (Gosodwaith safle-penodol)
2006'Club Shepway Annual Seaside Review', Club Shepway, Folkestone'Dan Gochl', Oriel Davies, Y Drenewydd'Arwyneb', Oriel Davies, Y Drenewydd'Rhwng a Rhagddo // Without and Within', Kunstverein Baden Galerie, Baden, Awstria (Arddangosfa Sengl a chydweithrediad gyda Wanda Zyborska)
2005'On Leaving &#38;amp; Arriving', g39, Caerdydd'Hunaniaeth a Dwr' Arddangosfa a Phreswyliad, Morelia, MecsicoYr Wyddor, Oriel Canfas, Caerdydd
2004‘Brawdoliaeth’, Llyfrgell Hwlffordd, Sir BenfroAr y Maes, Comisiwn Cywaith Cymru, Eisteddfod Genedlaethol Cymru, Casnewydd (Gosodwaith safle-penodol)
2003Y Ffwrwm, Cynhadledd, Theatr Felinfach, CeredigionEisteddfod Genedlaethol Cymru, Meifod (ennillydd Gwobr Ifor Davies)Prosthetig, Stiwdios Rise, Caerdydd
	Solo Exhibitions:

2014'udo', g39,&#38;nbsp; Cardiff (Launch exhibition of Cardiff Contemporary) 
2013'i', gallery/ten, Cardiff'o', Wales Millennium Centre, Cardiff
2012'Ca' Shell', Mostyn, Llandundo'Cysgod', Mostyn, Llandudno (as part of Adain Avion) 
2011'Altro', Oriel Myrddin, Carmarthen 
2009'That Morning He Watched The Dawn', Oriel Davies Gallery, Newtown

Selected Group Exhibitions:
‘Unlliw’ on view at ‘Landscape in Wales’ Gallery, National Museum and Galleries of Wales
2019 ‘Winter’, gallery/ten, Caerdydd‘Defaid’, Ceredigion Museum, Aberyswyth
2013'Easy Does It', Supercollider, Blackpool'Easy Does It', Aid &#38;amp; Abet, Cambridge'Print International', Oriel Wrecsam, Wrexham'Tir Sir Gâr', Theatr Genedlaethol Cymru, Carmarthen'Easy Does It', David Dale Gallery &#38;amp; Studios, Glasgow
2012'Y Nadolig mewn Llun a Cherdd', Y Morlan, Aberystwyth'Welsh Landscapes: From Turner to Long', The Lightbox, Woking, Surrey. 'Made In Roath', Milkwood Gallery, Cardiff'Y Lle Celf', Eisteddfod Genedlaethol Cymru, Bro Morgannwg (Gold Medal Winner in Fine Art)ProjectTEN, Various exhibitions across Cardiff
2011'Show 2011', Royal College of Art MA Show, LondonProjectTEN, Exhibitions across Caerdydd
2010'Lunch is for Wimps', Clerkenwell Design Fetival, London (RCA student exhibition)'We Have The Mirrors, We Have The Plans', Mostyn, Llandudno'Interim', Henry Moore Galleries, Royal College of ArtColeg Celf Frenhinol, Llundain (RCA student exhibition)'Contemporary Art from Wales', Fraser Gallery, Bethesda, Maryland, US'Outsider', Oriel Myrddin Gallery, Carmarthen'A Book About Death', MOMA Cymru Wales, Y Tabernacl, Machynlleth'Embrace', Ediburgh School of Art (RCA student exhibition)
2009'RCA Secret', Royal College of Art, London'Y Lle Celf', National Eisteddfod of Wales, Bala'It Wouldn’t Be Worth It Without The Struggle', Howard Gardens Gallery, Cardiff'Wales at the Smithsonian Folklife Festival', Washington DC'Wythoni', Llangrannog, Ceredigion'Rhôd', Drefelin, Carmarthenshire
2008'Gair o Gelf', Oriel Canfas, Cardiff'If You Build It', They Will Come, g39, Cardiff'Gwisgo Salem eto', Salem Chapel, Llanbedr, nr. Harlech (S4C commission in response to the centenary of Curnow Vosper’s Salem)
2007'Gair o Gelf', Glanfa, Wales Millenium Centre'The Suitcase Project': Copenhagen &#38;amp; Cardiff. Y Lle Celf, National Eisteddfod of Wales, Mold'Spoilio', Llywernog (Site-specific installation)'Locws 3', Swansea (Site-specific installation)
2006'Club Shepway Annual Seaside Review', Club Shepway, Folkestone'Undercover', Oriel Davies Gallery, Newtown'Surface', Oriel Davies Gallery, Newtown'Rhwng a Rhagddo // Without and Within', Kunstverein Baden Galerie, Baden, Austria (Solo exhibition and collaboration with Wanda Zyborska)
2005'On Leaving &#38;amp; Arriving', g39, Cardiff'Identidades &#38;amp; Water' Exhibition &#38;amp; Residency, Morelia, MexicoY Wyddor, Oriel Canfas, Cardiff
2004‘Brawdoliaeth/Brotherhood’, Haverfordwest Library, PembrokeshireAr y Maes, Cywaith Cymru Comission, National Eisteddfod of Wales, Newport (Site-specific installation)
2003Y Ffwrwm, Conference, Theatr Felinfach, CeredigionNational Eisteddfod of Wales, Meifod (Ivor Davies Award winner)Prosthetic, Rise Studios, Cardiff




&#60;img width="600" height="900" width_o="600" height_o="900" data-src="https://freight.cargo.site/t/original/i/4ba8f8c7784c27957fa2a1b95795d1eb8c7c69c1fd01002ac2b1d8e029c3ff02/ce_o_email_o.jpg" data-mid="66701480" border="0" alt="'o', Argraffiad yn rhad ac am ddim, A3. Ar gael o Ganolfan Mileniwm Cymru / Free print edition, A3. Available from Wales Millennium Centre" data-caption="'o', Argraffiad yn rhad ac am ddim, A3. Ar gael o Ganolfan Mileniwm Cymru / Free print edition, A3. Available from Wales Millennium Centre" src="https://freight.cargo.site/w/600/i/4ba8f8c7784c27957fa2a1b95795d1eb8c7c69c1fd01002ac2b1d8e029c3ff02/ce_o_email_o.jpg" /&#62;
&#60;img width="600" height="900" width_o="600" height_o="900" data-src="https://freight.cargo.site/t/original/i/123b5460dea88b7171100c6582a204ee8344e5cdc69ec985fdf4306050d4628f/ce_i_email_o.jpg" data-mid="66701481" border="0" alt="'i', Argraffiad yn rhad ac am ddim, A3. Ar gael o gallery/ten / Free print edition, A3. Available from gallery/ten" data-caption="'i', Argraffiad yn rhad ac am ddim, A3. Ar gael o gallery/ten / Free print edition, A3. Available from gallery/ten" src="https://freight.cargo.site/w/600/i/123b5460dea88b7171100c6582a204ee8344e5cdc69ec985fdf4306050d4628f/ce_i_email_o.jpg" /&#62;
&#60;img width="703" height="600" width_o="703" height_o="600" data-src="https://freight.cargo.site/t/original/i/1e2e39d0dc33f5607b4a53db82e34fe8d1e36a1335ebff6d3aa093381491f74c/edi-009_o.jpg" data-mid="66701482" border="0" alt="Golygfa'r arddangosfa grwp Easy Does It / Easy Does It Group Exhibition view, David Dale Gallery &#38;amp; Studios, Glasgow, 2013" data-caption="Golygfa'r arddangosfa grwp &#38;lt;i&#38;gt;Easy Does It&#38;lt;/i&#38;gt; / &#38;lt;i&#38;gt;Easy Does It&#38;lt;/i&#38;gt; Group Exhibition view, David Dale Gallery &#38;amp; Studios, Glasgow, 2013" src="https://freight.cargo.site/w/703/i/1e2e39d0dc33f5607b4a53db82e34fe8d1e36a1335ebff6d3aa093381491f74c/edi-009_o.jpg" /&#62;
&#60;img width="808" height="600" width_o="808" height_o="600" data-src="https://freight.cargo.site/t/original/i/bfe90d3559025851d7e4c94065eb3d3c0a8abc2da48af36050b1ccde685463fa/edi-018_o.jpg" data-mid="66701483" border="0" alt="Excretions, David Dale Gallery &#38;amp; Studios, Glasgow, 2103" data-caption="&#38;lt;i&#38;gt;Excretions&#38;lt;/i&#38;gt;, David Dale Gallery &#38;amp; Studios, Glasgow, 2103" src="https://freight.cargo.site/w/808/i/bfe90d3559025851d7e4c94065eb3d3c0a8abc2da48af36050b1ccde685463fa/edi-018_o.jpg" /&#62;
&#60;img width="498" height="600" width_o="498" height_o="600" data-src="https://freight.cargo.site/t/original/i/6fe382993139c94b589020daa13b3ba5f794e83e24b58a220e3718d7e700f257/edi-047_o.jpg" data-mid="66701484" border="0" alt="Excretions, David Dale Gallery &#38;amp; Studios, Glasgow, 2013" data-caption="&#38;lt;i&#38;gt;Excretions&#38;lt;/i&#38;gt;, David Dale Gallery &#38;amp; Studios, Glasgow, 2013" src="https://freight.cargo.site/w/498/i/6fe382993139c94b589020daa13b3ba5f794e83e24b58a220e3718d7e700f257/edi-047_o.jpg" /&#62;
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	<item>
		<title>Erthyglau / Articles</title>
				
		<link>https://carwynevans.com/Erthyglau-Articles</link>

		<pubDate>Wed, 12 Sep 2012 21:53:01 +0000</pubDate>

		<dc:creator>Carwyn Evans</dc:creator>

		<guid isPermaLink="true">https://carwynevans.com/Erthyglau-Articles</guid>

		<description>ERTHYGLAU&#38;nbsp; / ARTICLES:


	YN Y GYMRAEG

+ Y Lle Celf 2012, Catalog arddangosfa'r Eisteddfod 

+ Datganiad i'r Wasg: Carwyn Evans yn ennill Gwobr Aur am Gelfyddyd Gain yn Eisteddfod 2012

+ Torri Cwys: Traethawd catalog arddangosfa gan Louise Short i gyd-fynd gyda'r arddangosfa 'Y Bore Hwnnw, Gwyliodd Y Wawr Yn Torri yn Oriel Davies Gallery, Y Drenewydd

+ Chwyddo: Traethawd catalog arddangosfa gan Mike Parker i gyd-fynd gyda'r arddangosfa 'Y Bore Hwnnw, Gwyliodd Y Wawr Yn Torri yn Oriel Davies Gallery, Y Drenewydd

+ Erthygl Illtud Llyr Dunsfod ar gyfer Siarc Marw: Dyn y Bocsys Adar

+ Taliesin - Cyfrol 120/Gaeaf 2003: Baled y Blychau, Cyril Jones

+ Cerdd gan Mererid Hopwood: Rhwyg (i waith Carwyn Evans) 
	IN ENGLISH
+ Y Lle Celf 2012, Eisteddfod exhibition catalogue
+ Press Release: Carwyn Evans wins the 2012 Eisteddfod Fine Art Gold Medal
+ Ploughing the Furrow: Exhibition catalogue essay by Louise Short to accompany the solo exhibition 'That Morning He Watched The Dawn' at Oriel Davies Gallery, Newtown
+ Zoom: Exhibition catalogue essay by Mike Parker to accompany the solo exhibition 'That Morning He Watched The Dawn' at Oriel Davies Gallery, Newtown
+ Carwyn Evans: Artist of the month. Axis, February 2010. Selected by Alex Boyd
+ Review of 'Carwyn Evans: That Morning he Watched the Dawn' at Oriel Davies Gallery by Wanda Zyborska
+ 'That morning he watched the dawn / Y bore hwnnw, gwyliodd y wawr yn torri'. Review by Steffan Jones-Hughes
+ Carwyn Evans on Open Frequency, Axis. Selected by Cecile Johnson Soliz
+ Rel Thing: Iwan Bala on the art of Carwyn Evans and Bedwyr Williams
+ The Suitcase Project Blog: Liberty Paterson reviews Copenhagen and Cardiff's Suitcase Project


CYHOEDDIADAU / PUBLICATIONS:Y Bwrw Hwnnw, Gwyliodd y Wawr yn Torri // That Morning He Watched the Dawn



	Lluniau lliw llawn o waith newydd gan Carwyn Evans, sy’n defnyddio gwrthrychau a delweddau a ganfuwyd, a gynhyrchwyd yn arbennig ac a luniwyd i safon uchel.Gyda thraethodau gan yr artist a’r curadur Louise Short a’r ysgrifennydd Mike Parker.

180 x 240cm. 52 tudalen. Clawr papur

ISBN 978 1 870797 50 7
Cyhoeddwyd gan Oriel Davies Gallery
Testun Cymraeg &#38;amp; Saesneg
£6.95

Cysylltwch gydag Oriel Davies Gallery i mynnu copi: +44 (0) 1686 625041
	&#60;img width="200" height="267" width_o="200" height_o="267" data-src="https://freight.cargo.site/t/original/i/22d446787e57766c6d53c5c8e73f89becc72a555fe76b0ab4e29d6fbec5e053c/CEcover_o.jpg" data-mid="66701485" border="0" data-scale="100" src="https://freight.cargo.site/w/200/i/22d446787e57766c6d53c5c8e73f89becc72a555fe76b0ab4e29d6fbec5e053c/CEcover_o.jpg" /&#62;
	Full colour images of new work by Carwyn Evans utillising found and specifically produced and highly crafted objects and images. With essays by artist and curator, Louise Short and writer, Mike Parker.
180 x 240cm. 52 pages. Paperback
ISBN 978 1 870797 50 7
Published by Oriel Davies GalleryWelsh &#38;amp; English text£6.95
Please contact Oriel Davies Gallery to buy a copy: +44 (0) 1686 625041


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	<item>
		<title>Cysylltu / Contact</title>
				
		<link>https://carwynevans.com/Cysylltu-Contact</link>

		<pubDate>Wed, 12 Sep 2012 21:54:45 +0000</pubDate>

		<dc:creator>Carwyn Evans</dc:creator>

		<guid isPermaLink="true">https://carwynevans.com/Cysylltu-Contact</guid>

		<description>+ carwynjevans@yahoo.co.uk

+ carwyn.evans@network.rca.ac.uk</description>
		
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	<item>
		<title>Arddangosfeydd / Exhibitions</title>
				
		<link>https://carwynevans.com/Arddangosfeydd-Exhibitions-1</link>

		<pubDate>Wed, 12 Sep 2012 22:46:04 +0000</pubDate>

		<dc:creator>Carwyn Evans</dc:creator>

		<guid isPermaLink="true">https://carwynevans.com/Arddangosfeydd-Exhibitions-1</guid>

		<description>











Arddangosfeydd Sengl / Solo Exhibitions:


2021
Yr ochr arall i ti / The other side of you
			gallery/ten, Caerdydd / Cardiff


2015
Gwlith
			gallery/ten, Caerdydd / Cardiff


2014
udo 
			g39, Caerdydd / Cardiff&#38;nbsp;(Lansiad Caerdydd Gyfoes / Launch exhibition of Cardiff Contemporary)


2013
i
			gallery/ten, Caerdydd / Cardiff



o
Canolfan Mileniwm Cymru, Caerdydd / Wales Millennium Centre, Cardiff


2012
Ca' Shell
			Mostyn, Llandundo

Cysgod
Mostyn, Llandudno (fel rhan o Adain Avion / as part of Adain Avion)


2011
Altro
Oriel Myrddin, Caerfryddin / Carmarthen


2009
Y bore hwnnw, gwyliodd y wawr yn torri / That Morning He Watched The Dawn
Oriel Davies Gallery, Y Drenewydd / Newtown



Arddangosfeydd Grwp Dethol / Edited list of Group Exhibitions:


2020
	Epynt - Y Lle Celf (Amgen), Eisteddfod Genedlaethol Cymru&#38;nbsp;



2019&#38;nbsp;
			Defaid, Amgueddfa Ceredigion /&#38;nbsp;Ceredigion Museum, Aberyswyth


2013
Print International, Oriel Wrecsam, Wrecsam / Wrexham


Tir Sir Gâr, Theatr Genedlaethol Cymru, Caerfyrddin / Carmarthen


Easy Does It, David Dale Gallery &#38;amp; Studios, Glasgow (a teithio / &#38;amp; touring)


2012
Welsh Landscapes: From Turner to Long, The Lightbox, Woking, Surrey&#38;nbsp;


	Y Lle Celf, Eisteddfod Genedlaethol Cymru, Bro Morgannwg (Enillydd Medal Aur mewn Celf Gain / Gold Medal Winner in Fine Art) 				


			ProjectTEN, Arddangosfeydd amrywiol ar hyd Caerdydd / Various exhibitions across Cardiff
 

2011-
	Unlliw - yn Oriel Tirluniau Cymru, Amgueddfa Cymru //&#38;nbsp; on view at Landscape in Wales Gallery, National Museum and Galleries of Wales
2011

			Show 2011, Royal College of Art MA Show, Llundain / London 


			ProjectTEN, Arddangosfeydd amrywiol ar hyd Caerdydd / Various exhibitions across Cardiff


2010
We Have The Mirrors, We Have The Plans', Mostyn, Llandudno
			Contemporary Art from Wales, Fraser GalleryUS 


Outsider, Oriel Myrddin Gallery, Caerfyrddin / Carmarthen
			Embrace, Coleg Celf Caeredin / Edinburgh School of Art
2009


			RCA Secret, Coleg Celf Brenhinol / Royal College of Art, Llundain / London
			Y Lle Celf, Eisteddfod Genedlaethol Cymru / National Eisteddfod of Wales, Y Bala
			It Wouldn’t Be Worth It Without The Struggle, Howard Gardens Gallery, Caerdydd / Cardiff
			Cymru yng Nghwyl Gwerin y Smithsionian / Wales at the Smithsonian Folklife Festival, Washington DC
2008
			If You Build It They Will Come, g39, Caerdydd / Cardiff
			Gwisgo Salem eto, Capel Salem Chapel, Llanbedr (Comisiwn Cwmni Da/S4C yn ymateb i ganmlwyddiant Salem Curnow Vosper / Cwmni Da/S4C commission in response to the 				centenary of Curnow Vosper’s Salem)&#38;nbsp;


2007
			The Suitcase Project: Copenhagen a/&#38;amp; Caerdydd / Cardiff. 
Y Lle Celf, Eisteddfod Genedlaethol Cymru, Y Wyddgrug / National Eisteddfod of Wales, Mold
			Spoilio, Llywernog (Gosodwaith safle-penodol / Site-specific installation)
			Locws 3, Abertawe / Swansea (Gosodwaith safle-penodol / Site-specific installation)


2006
			Club Shepway Annual Seaside Review, Club Shepway, Folkestone
			Rhwng a Rhagddo / Without and Within, Kunstverein Baden Galerie, Baden, Austria (Sioe sengl a chydweithio gyda Wanda Zyborksa / Solo 				exhibition and collaboration with Wanda Zyborska)&#38;nbsp;


2005
			On Leaving &#38;amp; Arriving, g39, Caerdydd / Cardiff
			Arddangosfa a Phreswyliad Identidades &#38;amp; Water Exhibition &#38;amp; Residency, Morelia, Mecsico / Mexico


2004
			Ar y Maes, Comisiwn Cywaith Cymru Commission, Eisteddfod Genedlaethol Cymru, Casnewydd / National Eisteddfod of Wales, Newport (Gosodwaith safe-penodol / Site-					specific installation)
 


2003
			Y Lle Celf / Eisteddfod Genedlaethol Cymru, Meifod / National Eisteddfod of Wales, Meifod (Enillydd Gwobr Ifor Davies / Ivor Davies Award winner) 









&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/6419998f0d8cd4c6d0f81187290c2d119e5004e2cdff3d6e8e77f816feacfcd2/carwyneisteddfod4_o.jpg" data-mid="66701370" border="0" alt="'Docio' a 'Cast' yn yr Eisteddfod Gendlaethol 2012 / 'Docked' and 'Cast' at the National Eisteddfod of Wales 2012" data-caption="'Docio' a 'Cast' yn yr Eisteddfod Gendlaethol 2012 / 'Docked' and 'Cast' at the National Eisteddfod of Wales 2012" src="https://freight.cargo.site/w/1000/i/6419998f0d8cd4c6d0f81187290c2d119e5004e2cdff3d6e8e77f816feacfcd2/carwyneisteddfod4_o.jpg" /&#62;
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/9f741cac15ffb6b3c214118c5d5be564d094abdd690ce3f01b0d689b4d7027c7/carwyneisteddfod2_o.jpg" data-mid="66701368" border="0" alt="Tywysydd yn arwain ymwelydd o gwmpas yr arddangosfa / Guide leading a viewer around the works in the exhibition" data-caption="Tywysydd yn arwain ymwelydd o gwmpas yr arddangosfa / Guide leading a viewer around the works in the exhibition" src="https://freight.cargo.site/w/1000/i/9f741cac15ffb6b3c214118c5d5be564d094abdd690ce3f01b0d689b4d7027c7/carwyneisteddfod2_o.jpg" /&#62;
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/aafb42bb20762771a42cb1b3660f8c927341257201c10da2f5c316462962990e/carwyneisteddfod1_o.jpg" data-mid="66701367" border="0" alt="'Cast' (manylyn) / 'Cast' (detail)" data-caption="'Cast' (manylyn) / 'Cast' (detail)" src="https://freight.cargo.site/w/1000/i/aafb42bb20762771a42cb1b3660f8c927341257201c10da2f5c316462962990e/carwyneisteddfod1_o.jpg" /&#62;
&#60;img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/34e8130027f27da1e6ac0d4d621b1bb51d373b8e9591287957f6644d198e638f/carwyneisteddfod3_o.jpg" data-mid="66701369" border="0" alt="'Ei darganfod mewn odlau' / 'I found her in rhymes'" data-caption="'Ei darganfod mewn odlau' / 'I found her in rhymes'" src="https://freight.cargo.site/w/1000/i/34e8130027f27da1e6ac0d4d621b1bb51d373b8e9591287957f6644d198e638f/carwyneisteddfod3_o.jpg" /&#62;
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	<item>
		<title>Yr ochr arall i ti / The other side of you</title>
				
		<link>https://carwynevans.com/Yr-ochr-arall-i-ti-The-other-side-of-you</link>

		<pubDate>Wed, 20 Oct 2021 08:36:33 +0000</pubDate>

		<dc:creator>Carwyn Evans</dc:creator>

		<guid isPermaLink="true">https://carwynevans.com/Yr-ochr-arall-i-ti-The-other-side-of-you</guid>

		<description>
	
	


	
&#60;img width="5826" height="3810" width_o="5826" height_o="3810" data-src="https://freight.cargo.site/t/original/i/113e3e2363021025fec6925fecbff766af2846d57270d535fd79c3b16209cb33/2.jpg" data-mid="122100064" border="0"  src="https://freight.cargo.site/w/1000/i/113e3e2363021025fec6925fecbff766af2846d57270d535fd79c3b16209cb33/2.jpg" /&#62;

	Yr ochr arall i ti / The other side of you

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